Joyce Manor, the beloved punk trio from Torrance, California, has once again captured the essence of Southern California’s punk scene with their latest album, *I Used to Go to This Bar*. Set for release on January 30, 2026, via Epitaph Records, this album marks a significant collaboration with producer Brett Gurewitz, co-founder of Bad Religion and Epitaph itself.
A Full-Circle Collaboration
The partnership between Joyce Manor and Brett Gurewitz feels like a homecoming. Gurewitz, a stalwart of the SoCal punk scene, brings a wealth of experience and a deep understanding of the genre’s roots. Frontman Barry Johnson expressed his enthusiasm about the collaboration, stating, “Working with Brett was amazing. He’s one of the architects of everything we grew up on. Having him guide our record helped us make something that sits next to those classic records that shaped us.” Gurewitz himself praised the band’s evolution, noting, “Joyce Manor are a quintessential South Bay punk band, but unlike their peers, they’re writing timeless songs for the American songbook. To me, they’re among the most important bands of the last two decades.”
Lead Singles: A Glimpse into the Album
The album’s lead single, “Well, Whatever It Was,” offers a sharp, emotionally loaded snapshot of the band’s refined sound. Accompanied by a Lance Bangs-directed video that parodies *The Great British Bake Off*, the track showcases the band’s ability to blend humor with poignant storytelling. Johnson describes the song as “one of the most Southern California sounding songs ever recorded,” citing influences from Jane’s Addiction, the Beach Boys, Weezer, and the Red Hot Chili Peppers. Another standout track, “All My Friends Are So Depressed,” delves into themes of isolation and longing, resonating with listeners navigating the complexities of modern life. The song’s relatable lyrics and catchy melodies have already made it a fan favorite.
Touring and Fan Engagement
In support of the new album, Joyce Manor has announced a European and UK tour beginning October 16, 2025, in Munich. The tour includes dates across Germany, Belgium, the Netherlands, and the UK, with headline stops at London’s Roundhouse and Leeds University Union. Support on select dates comes from The Hotelier, Tiger’s Jaw, Oso Oso, and Ways Away. This tour not only showcases the band’s commitment to their international fanbase but also highlights their influence on and collaboration with other artists in the punk scene.
Conclusion
*I Used to Go to This Bar* stands as a testament to Joyce Manor’s growth and their ability to honor their roots while exploring new sonic territories. With Gurewitz’s seasoned production and the band’s unwavering energy, this album is poised to become a staple in the modern punk canon. Fans old and new can look forward to a collection of tracks that encapsulate the spirit of Southern California punk, delivered with the authenticity and passion that Joyce Manor is known for. As the release date approaches, anticipation builds for what promises to be a defining moment in the band’s career. Whether you’re a longtime follower or a newcomer to their music, *I Used to Go to This Bar* offers a compelling invitation to experience the raw, heartfelt storytelling that has become Joyce Manor’s signature.